Quote:
Originally Posted by Captain_jovi
Listen to the 5.1 vocals only Bells of Freedom, the note right before the solo is a copy and paste of two different takes and it's way obvious. I'm not saying John Shanks is the first producer to do this
|
Interesting! And No, Shanks is not nearly the first producer to do this. Even back when the Beatles and Elvis recorded music, they used to do it by hand. They would literally cut the tape and then use tape to combine the recordings together.
I don't mind studio tricks especially if a good producer could make it sound right. They've been using them since inception.
First off, I think Shanks does a way better job then Ebbin. I can't stand Jon's voice on Crush and Bounce. The problem I believe I have with Shanks is, A. too many digital effects. And B. It sounds like he's combining too many vocal takes.... So instead of Jon singing 17 takes of 1 song and then using one as the master (or combining 2 or 3), it sound like Jon is only maybe singing 5 tops and then Shanks mixes the best notes on each on together. Or he is just making Jon singing each word individually. Either way, you won't get that passion just mixing words together and then using digital effects to clean it all up.
Listen, I think Shanks does an amazing job with Jon's voice because we all know what he sounds like live. (Example LTOR studio verses Live) but I also know the delivery Jon once had and Shanks isn't providing that which hurts the songs IMO because we are not feeling the music like we once did.
Now the live music is a different story.
Part of me wonders if Jon holds back a lot out of fear of totally blowing out his vocals for good. Yes, his voice has definitely changed but this singing technique he has now might not be natural. It might be the way he was taught to sing ongoing to reserve his voice until retirement. I don't know, just a theory.