I also see the point that Bon Jovi are looking too much at the charts and that their songwriting has become a bit more commercial...
"Crush" is a good album, I like it very much, although I was dissapointed at first because after "These Days" it wasn't what I expected but as a rock/pop album it is brilliant. It's a good mood album. "It's my Life" brought them back to the top and into the minds of the people - potential buyers and concert goers. What I miss in it is the depth that was there in "Keep the Faith" and "These Days".
In the 80s, Bon Jovi has been a party band, not much more. Big songs for big stadiums. "Wanted dead or alive" and then the whole "New Jersey" record showed that they were able to do more, musically and lyrically. The time in between the 80s and the 90s must have done something good for Jon and the band, because on "Keep the Faith" we have a band that has grown up for the first time. Not just songs about just getting laid and having a good time, but about reality. Take "Bed of Roses", a wonderful, poetic love song. Take "Dry County" - the mixture of storytelling and epic music at its best. Take "I believe" or the title track: They fit to the band as artists and into the time (but are somehow timeless). Real Classics.
In Europe it was a big success, not that much in America, but still good. Then came the "Crossroads" era, the two new songs on the album are still something of the best Bon Jovi did. The magic of the band is in that two songs. Although "Always" hasn't really a deep message, it's just a brilliant song. And it was number one. But it wasn't created for the charts, there's too much emotion in it. Bon Jovi doing the walk between being commercial and true to themselves (that's what I miss on "Bounce").
Then, 1995, the definite year of Bon Jovi for me. Their creative peak and my first concert, both unforgettable. For many fans "These days" is the best Bon Jovi album ever (as for me) and for some the worst. You can see it in the fact that it wasn't as succesful as the previous albums (even in the States). People started to realize that Bon Jovi had more than just party rock and posing in front of 50,000 screaming fans. The lyrics, the music, the arrangements, the songwriting shows a band that got lost in their music, they really had something to say. And they didn't look at the charts. A lot of fans who liked Bon Jovi for their party anthems don't appreciate "These Days" at all, but for me, who likes a bit of everything, it's just perfect.
The 1996 Tour was the most unusual Bon Jovi tour ever - nearly the whole "These Days" album was played. Not that much party, but more to listen for the people. It was the most interesting tour they did so far (when you look at the setlists).
Then came the big break with Jon doing a brilliant solo album (which was in the steps of "These Days" a very personal, un-commercial thing). Un-commercial doesn't mean it didn't sell. It did. Bon Jovi will always sell. They have made it to the top. That's what I meant with the thin line between commercial outputs and artistic freedom.
I expected a lot from the so-called "Comeback" album. The working title was "Sex sells", and I wasn't sure what it was about. Finally I thought it was a self ironic title with Bon Jovi realizing that their frontman will always be a reason for some people to buy the records but was also a way to be sure that their songs were heard worldwide by a large number of people, also those who want to "listen". Then the title was changed and "Crush" became their most commercial album since "Slippery". Now I like it as one of their best, because they stayed true to themselves. "It's my Life" is still self-ironic in my eyes and ears. I like big loud rock songs a lot, but if the whole album is only the surface of what could have been a message, they aren't as goog as they can be. (I love both "It's my Life" and "Hey God", both brilliant to me). But if you look a little closer at "Crush" you find pearls like "Mystery Train" or "Captain Crash" or "Two Story Town" or "Just older". I can truely say I love each track on the album. I knew this one was a fun record. Ok boys, let's see what you have next. (I disliked a bit that the "One wild Night" Tour was only about party. The emotions of songs like "In these arms" or "Born to be my baby" got totally lost because they turned out into crowe-jumpers, if you get me. Jon was jumping up and down during these songs and just sang the words to fill the music, not the message - anyhow, still great shows!)
Then "Bounce" had me very, very disappointed. I didn't get into it like all the other albums (except the first one). "Everyday" has a message, but if the message don't get deeper throughout the album it becomes silly. Take "Bounce" - the song is a joke (but the best I've heard in 2002). "It's my Life" part II and silly lyrics that don't work. I like that song, but at all the album leaves me unsatisfied. Also the music. Where is Richie? And where is Dave (he has his songs, but in the others like "Undivided" he's not really there in the mix). Are the boys not able to remember what great records they wrote (Days, faith)? If they don't want to be that melancholy like in 1995 they don't have to be, but that doesn't mean that the lyrics become flat and the arragements boring. I don't hear any emotion on "Bounce". For me it sounds like "ok bosy, we have to do another records so come on...". I know thyt they had some topics like 9/11 that they wanted to write about, but it seems as if they didn't spent as much time and effort into the project like before. They are fathers, they ahve other lives, that's fur sure. But a singer who can't decide between an acting career and a musical career, a guitarist who thinks solos are no longer suitable for the charts and a band who's satisfied with filling the 4/4 isn't what I liked about Bon Jovi in the past. They are still my favourite band and will always be, but I'm a bit sad that they don't seem to care about there music as they used to do. Look at "Right Side of Wrong" - the song may be good, but the arrangement, I mean the Production sucks. It sounds like atrificial romance with all those keyboards and the synthie-piano. In Germany we call it "Kitsch". What I liked on Bounce is the heavier tone and at some points it really isn't as commercial as it could have been. But on the other side it's too flat to be a very good album.
Also the arrangements of the live songs become more and more boring, no jams, less stories by Jon, no more improvisations, no more Richie's sole before "Wanted"... All those things. These days they play the songs very much like they are on the album, no new arrangements.
I also think that in their 40s now Bon Jovi should do albums that are true to themselves as human beings as they did before. They will still be a bit of a party band and it still will be commercial. It has always been, but Bon Jovi always made the maximum of it (until Bounce).
But it's still BON JOVI and that means that their albums and their shows are still better than all the rest.
Has someone read that all?????? I hope you got my point, I wish I had more words in English to say better what I wanted to say.
Anyhow, rock on! See you on the road in 2003!!!
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"This melody inside of me still searches for solution..."
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