Quote:
Originally Posted by Becky
Feb. 11, 2004
Bon Jovi's new sound feels right
By DAVID BRINN
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Bon Jovi's new sound feels right
BON JOVI
This Left Feels Right
(Helicon)
If there's a band that knows how to serve up mass-appeal and pop-metal confections, it's Bon Jovi. Which is not necessarily such a bad thing. The band's oeuvre includes a fair amount of guilty sing-along pleasures, and has faithfully the essential role of providing a meat-and-potatoes musical center for the alt-rock nation to be an alternative to.
It's therefore refreshing to hear this band, which could write hits in its sleep, try something different on This Left Feels Right. Instead of releasing a greatest hits disc, a live album, or an unplugged session, (three common options for any band buying time between discs), Bon Jovi has taken its best-known songs and radically reworked them.
What was once bombastic and obvious has been replaced by subtlety and restraint. Sounding more like songs you'd hear on an adult contemporary radio station rather than the classic rock airwaves, This Left Feels Right sheds new light on old warhorses, and truly features some of the left turns implied in the title.
Instead of the blind optimism of the original version, "Livin' On a Prayer" is transformed into a fatalistic dirge with evocative guest vocals by former Wonder Years star Olivia d'Abo. And "It's My Life" also loses its boastful Jersey attitude and becomes a piano and strings ballad ringed by a classical motif.
With the toned-down sound, more emphasis is placed on the lyrics and vocals, and here Jon Bon Jovi's material stands up to the test. They may not be masterpieces, but his Bruce-lite glimpses of working-class life and couples is somehow more authentic and touching in a subdued atmosphere. And Richie Samboro's guitar work shines throughout, as his acoustic picking shows a side that's always been obscured by the arena rock power riffs.
Not all the songs benefit from being reborn. "You Give Love a Bad Name" sounds out of place as acoustic blues, and "Bed of Roses" is a little too middle-of-the-road to be effective.
But for the most part, the left turn does feel right for Bon Jovi. Any disc that turns "I'll be There For You" from a melodramatic kiss in the hayride teen puppy love song into an adult affirmation of commitment must be going in the right direction.
Let's hope they keep on this path.
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cheers for this, good review
where do u find these by the way??
u seem like a local bj library