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Old 10-20-2004, 04:57 PM
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Default new producer John Shanks

John Shanks has produced/written with Bon Jovi the new album. I was curious who he was and I found this.

http://www4.islanddefjam.com/media/b...000000faq.html
http://www.songwriteruniverse.com/shanks.htm

John Shanks Becomes Top Producer & Co-Writer For Michelle Branch, Sheryl Crow & Celine Dion
By Dale Kawashima

John Shanks has emerged as one of the top, rock & pop writer/producers in the business. During the past year, he produced Michelle Branch’s platinum debut album, The Spirit Room, and co-wrote the hit single, “Everywhere.” In addition, he co-wrote the title cut, "One Heart," from Celine Dion's new album, and he wrote with Sheryl Crow, her hit “Steve McQueen.” Shanks also produced the latest albums by Vertical Horizon, Chris Isaak and Joe Cocker, Lucy Woodward and Justincase.


John Shanks
Shanks has gradually made the transition from being a session & touring musician, to becoming a respected producer and songwriter who is in strong demand. During the past few years, he established his reputation by producing albums with Melissa Etheridge and Stevie Nicks, and co-writing songs with them. In addition, Shanks has recently enjoyed success in country music, co-writing the Keith Urban hit, “Somebody Like You.”

Originally from New York City, Shanks moved to Los Angeles when he was 17. “During high school (at Beverly Hills High), I joined some bands and started playing all the clubs,” recalled Shanks. “(After graduating), I began doing sessions as a guitarist, and I learned a lot about recording and production. I had the opportunity to play sessions for some great producers, and I learned about arrangement and composition, counterpoint, layering parts and sounds.”

In 1988, Shanks started playing in Melissa Etheridge’s band, and toured with her for several years. “Melissa was very supportive of my music career, and she inspired me to get my act together as a writer,” said Shanks. “I went off the road and got my life together. I started to focus on my writing, and developing my demos more.”

In the early ‘90s, Shanks enjoyed his first writing success, getting cuts with Bonnie Raitt, Joe Cocker and Tuck & Patti, and landing his first publishing deal. He eventually hooked up again with Etheridge, who had been following his successful development as a writer. She invited Shanks to collaborate on songs for her Your Little Secret album in 1995. This creative partnership continued for several years, with Etheridge asking Shanks to co-produce her subsequent album, Breakdown, in 1999. Breakdown ultimately received four Grammy nominations, including Best Rock Song and Best Rock Album.

Then in January 2001, Shanks was contacted by Danny Strick (A&R executive for Maverick Records), to work with his new artist, Michelle Branch. “Michelle and I got together, and in the first hour we wrote ‘You Set Me Free,’ which ended up making the album,” said Shanks. “I quickly realized that she’s a great writer and a great person. She was 17, and she was a breath of fresh air with her attitude and ability. We started recording several songs, then Michelle decided she wanted me to produce her whole album. We finished the album in a nine-week period.”

Shanks wrote four songs with Branch for the album, including the first single, “Everywhere.” “Michelle played me ‘Everywhere’; (the song & lyric) was close, but it just needed a fresh approach and a re-write,” explained Shanks. “We sat down and we re-worked that song.”

In addition to his hit success with Branch, Shanks is gaining notoriety for co-writing Sheryl Crow’s latest single, “Steve McQueen” (from her album, C’Mon C’Mon). “I’ve known Sheryl for a long time; we got together to write,” said Shanks. “She wanted the song to be (guitar) lick-oriented, with a hip-hop and rock flavor, so I began working on the track. We discussed what the lyric should be about; we thought it should be about an icon or an era. I said, ‘How about Steve McQueen?’ She liked the idea, and then we came up with the chorus. Sheryl and I finished writing the song in the fall of 2001.”

This past year, Shanks has been busy producing and/or writing for several other projects (Chris Issak, Joe Cocker, Vertical Horizon, Will Hoge, Justincase, Stroke 9). In addition, he has been working on Michelle Branch’s follow-up album. “I’m just working really hard, doing my best for each artist,” explained Shanks. “I’m very fortunate to work these great artists; I get repeat customers. My relationship with artists is personal; it means a lot to me. I want to keep working with people who want to make great music, and create songs which can move people.”
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Old 10-20-2004, 05:03 PM
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http://drycounty.com/jovitalk/viewtopic.php?t=27827
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Old 10-20-2004, 10:34 PM
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Well...... from reading that,he has never worked with a rock band before.

*worries*
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Old 10-20-2004, 11:37 PM
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well there is a first time for everything.
but on a better note, the production on Michelle Branch albums are top notch wether you like the music or not, it is.
I doubt he will change the style of the band,
his production is good that's all I can say.
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Old 10-21-2004, 12:15 AM
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hmmm. TLFR + Sheryl Crowe + Michelle Branch.

I forsee the band having a songwriting album next. I dno. Sorta twangy. Maybe rely heavy on a telecaster, I don't know, that's just how I see it. Maybe, hopefully, I'm wrong.
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Old 10-21-2004, 01:27 AM
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Didn't your read Becky's comment on that other thread? He's worked with rock artists before.
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Old 10-21-2004, 01:55 AM
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Well..I'm hoping we wind up back on the creative track they left after These Days. No forcibly condensed tunes. Let the songs breathe and jam. No dumbed down or constipated lyrics. Bounce did at least show they were letting it flow lyrically more than they did with Crush. So I'm hoping this time they just let it gush.
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Old 10-21-2004, 10:55 AM
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Bon Jovi has been changing there sound on every album sinds NJ. I think they attempt to sound modern every time the style and music of the whole industry (labels, MTV, charts) change. They are afraid to be completely artistic and keep their own style, because everything must sell. IMO all that changing, after These Days has affected their songwriting. They try to hard to be different, and to get new (younger) fans with every album. But in the long term they might lose the older fans for the same reason.
Their best album, IMO These Days, did sell bad compared with the other albums. And at that time it maybe wasn't to awful because Cross Road was selling millions and millions. But now there is TLFR, and that isn't really a second big selling CR, the same you can say about the box. I think the record company now wants to make some big money.

So I'm very curious if there will be a complete different sound again, or that they decided to make an album that is so good that everybody wants to buy it because it is that good and not because another "Misunderstood" is in the top 20 of the charts.
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Old 10-21-2004, 01:19 PM
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Quote:
Originally Posted by Javier
but on a better note, the production on Michelle Branch albums are top notch wether you like the music or not, it is.
I agree with you there.
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Old 10-21-2004, 05:51 PM
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Bruuuuuce ?!

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