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should GH been released 1st

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  #21  
Old 01-08-2010, 11:19 PM
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Quote:
Originally Posted by Suojelusperkele View Post
It would be quite funny if they release a post-Cross Road greatest hits and the first four tracks are It's My Life, Everyday, Have A Nice Day and We Weren't Born To Follow.
And the compilation will be called: Bon Jovi - How to live your Life
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  #22  
Old 01-08-2010, 11:20 PM
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Originally Posted by Suojelusperkele View Post
It would be quite funny if they release a post-Cross Road greatest hits and the first four tracks are It's My Life, Everyday, Have A Nice Day and We Weren't Born To Follow.
HAHAHAH I've never even thought of that. With so few hits post-Crossroad, it'll really put into perspective how similar the songs sound.
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  #23  
Old 01-08-2010, 11:55 PM
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So here we go my friends. If I knew anybody of you personally, each of you would owe me a beer!!!

Here is the whole interview. Please remember that it was translated from Czech. Apologies for my mistakes in English and typos.

Part 1
Quote:
Bon Jovi - four friends for life and death

Berlin reminded rather a big prison than a shining capital. Police and army patrol were everywhere plus terrible autumn weather. And in the middle of this - Bon Jovi. Legendary rock band from New Jersey, USA. Group that has sold more than 120 million albums, has so many hits and sold-out many shows all around the world. Only in the Czech Republic it seems that this popularity is stagnating. God knows why but the truth is that their last concert here was in the 1990s after the album Keep The Faith was released.

The group arrived to Berlin to celebrate the 20th anniversary of the Wall fall with their brand new single from the album The Circle - We Weren't Born To Follow. While many politicians, VIPs and many others change in the probably most expensive hotel in town, the members of Bon Jovi - singer Jon Bon Jovi, guitarist Richie Sambora, keyboardist David Bryan and drummer Tico Torres - stay calm. The new single is the most frequently played single since the time of It's My Life, the new album reached the no.1 spot that day and the tour starting next year seems to be very successful as well. The band arrived to Berlin from London where they were giving interviews and played two secret shows - at the BBC Radio in British Music Experience Soundstage, in almost one week. They had been in London before they went to London and right after the performance in Berlin, they fly to North America to play at The Tonight Show. It wasn't a bad idea because they entered at the official American chart at no.1, as it turned up later.
Despite this, David Bryan and Tico Torres look relaxed and satisfied. A short walk through the city and a quick coffee (Tico: "It's unbelievable how bad is the coffee in such an expensive hotel".) and we can start with the interview. Tico and Dave make themselves comfortable in armchairs in the hotel library and look like they've just returned from a holiday with family and friends and not from an exhausting journey around the world.

David Bryan (DB): I'm surprised too how fine we are. On the other hand we have been travelling around the world so much that our bodies can't understand when we are right now. After the performance in The Tonight Show in New York we are all going home. It's clear to me now that I'll fall into my bed and stay there for a week. I don't want to complain. It is unbelievable but I still enjoy all of this so much.

Hardrocker (HR): The shows in London were quite atypical for you, weren't they? You played for a small audiences and just a bunch of songs.
DB: British Music Experience Soundstage is over the corner from the London O2 Arena where, as it is known, we will play series of big shows in 2010.
Tico Torres (TT): First of all, the audience of the second show was full of some competition winners from all around the world. However everything went well. We played four songs from our new album and some older songs. I have to say that concert versions of We Weren't Born To Follow, When We Were Beautiful, Work For The Working Man and Superman Tonight proved my feelings about the album as such.

HR: And that is?
TT: It's possible that I will feel it differently after few months or years but now is The Circle my absolute front-runner in the Bon Jovi catalogue.

HR: Who knows you a bit knows that you are not a friend of cliché and phrases.
TT: I've said this to Jon and Richie not long ago and they've told me that they don't have adequate distance to say this. But I stand for my opinion. I have great feelings of the album. It sounds very organically, it's well build and every time I listen to it, I just have to smile. The lyrics are great and perfectly describe what happened to us after Lost Highway. Even though some of the themes are quite dark, there still is the typical Bon Jovi optimism and positive approach. There are some Bon Jovi albums which have just few songs that I really like from my today point of view, whereas The Circle works as a strong unit. On the other hand there is no Bon Jovi album which I don't like. All of them are my kids. But The Circle is a phenomenon: I have to listen to it over and over again.
DB: The Circle is very strong and self-confident album. It is also an album of a working band - we can't say this about our previous album Lost Highway. Moreover, there are some parts on The Circle which came on the first attempt. Everything worked well. There were many great ideas and later songs. Richie was in a great shape and his contribution to the album was 100%. It is unbelievable that even if we are at the stage when albums don't mean that much, we were able to give everything to the songs.
TT: We weren't speaking about a new album at first. We met in Jon's studio to work on some new songs for the new compilation. But everything went so fast and so well, we had many great ideas so we were coming back over and over. The planned compilation seems to be released next year (2010) and we would like to add an official compilation of all our videos up to this day to the package. Many people have asked us to do it and even if some people in the band complain that we'd reveal how crazy we looked like in the 1980 to our new fans, I think it will be interesting for people. Besides that, in the age of internet and firstly youtube we can hide nothing!
DB: We also have bonuses for the compilation now. We have written almost 30 songs while working on The Circle.
TT: We haven't worked as hard on any different album as on The Circle. We had time for three month to record an album in the past. But now we went to the studio, composed and recorded few new tracks and returned there after some time.
DB: Distance is very essential with this method. We could judge and decide better with a distance.
TT: The accurate number of the new songs is 28. It is an unbelievable luxury to have so many to choose from. Few other songs will get to our fans gradually. And those will prove people that the band is in a great position now.

HR: Jon Bon Jovi and Richie Sambore are responsible for the majority of the songs. At which stage do you get the songs? We know that David rarely writes songs and Tico never.
TT: We get the songs very early. There is a tradition in Bon Jovi that we have very simple demos. We get those very early and we contribute with our ideas and creativity afterwards. If normal people heard those demos they would top their foreheads. The songs are very primitive. Guitars sound aweful, so does the vocals and the rhythm is played by a badly programmed drum computer. But there is a tie and teamwork between us that we can say what is worth and what is not.
DB: From time to time we take a part of a song and put it in a different song.

HR: Jon, Richie, David and Tico are members of Bon Jovi for decades. Can you still surprise each other?
DB: From time to time I catch myself thinking why any of my colleagues sent me such a song and that they can't be serious about it. But after few listens it is all clear and I know that Jon or Richie perfectly knew why they did so!
TT: I remember that David was against the song Always so much.
DB: Jon played this song to us in a studio many years ago and me and Richie were thinking that the song is not good enough. I added that the song would kill the band. But Jon loved Always and after some time when it was on the shelf, he pushed it through. Then we just wanted to record it in the best possible way. And there is nothing to add. It was a huge hit. Jon was right. That's why we are a band. It is all about cooperation, not an individual work. We like to communicate and we enjoy working together.
TT: There is a similar story about Livin' On A Prayer. We recorded a demo in our small studio in New Jersey and it was getting in Jon's hair. He left the studio offended. He said that he had imagined it all differently and that this song would be on Slippery When Wet only over his dead body.
DB: Finally me and Richie sung the vocals for the song in our version and played it to Jon. We convinced him to put it on the album. It wasn't the worst idea, was it? (laughing)
TT: So it was equal. Once - with Always, was the band wrong and once - with Livin' On A Prayer it was Jon. We listen to each other better from this time and we admit that the others could be right. The word NO is not that frequent. I've learnt one thing - when a song is good at an early stage - it stays good. Songs which take ages to finish usually don't work, even the best arrangement does not help.
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  #24  
Old 01-08-2010, 11:59 PM
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Here is:

Part 2
Quote:
HR: The announced documentary When We Were Beautiful is on a bonus dvd at the package with The Circle, we can also find it as a bonus on the blue-ray version of Live At Madison Square Garden.
TT: How do you like it?

HR: It surprisingly too open...
DB: That was the purpose.

HR: Some people speak about dismantling when they speak about When We Were Beautiful. Jon Bon Jovi in a bad mood, Richie speaks about his overcome addiction to alcohol. Even Tico's problems with alcohol are mentioned. It destroys some illusions.
DB: We didn't want to shock but we didn't want a film about Bon Jovi which would be about stupid and shallow things.
TT: The director Phil Griffin was travelling with us for such a long time and we were speaking with him for such a long time that we got used to him. And after that we started to speak about everything, and about less positive concerns.
DB: People know us from albums, videos, concerts. But such a concert last for three hours and the day has another 21 hours. We wanted to show what's happening around us. We are friends, we are working band. We like each other, we are brothers. When anybody of us falls down, we help him to rise. Like it was with Richie not so long ago.
TT: I didn't have easy childhood and I was coping with it for a long time. Sometimes with alcohol. Everything is fine today. I have my own family, I'm satisfied, I know how to handle the past.
DB: It is crazy but the four of us play together for 26 years. That's more than a half of my life. I started to play with Jon when we were 16 and today we are 47. That means I lived 16 years without Jon and I live 31 with him. That's crazy.

HR: That's longer than an average marriage...
DB: In a working life I could retire. They would give me golden watch and I'd go!
TT: I'm a professional musician for 43 years and almost 27 with Bon Jovi.
DB: But we still enjoy our music. We love concerts in the first place. Nobody has to make us go on stage together.
TT: There is a magic in Bon Jovi, which can't be substituted. I think that's how the really big bands like Led Zeppelin and Beatles worked.
DB: From time to time some of us jam with someone different. It's good but it can't be compared with what exists between us. That's why we are a band.
TT: The moment the line up of the band changes, everything changes. It does not kill the band but it changes the band.

HR: Did the departure of Alec John Such in the 1990 change you:
TT: It surely changed the course of the band.
DB: For sure!

HR: Which change would kill the band?
DB: I got a strange feeling when we played a show without Richie. It is not that long ago. I had the same strange feeling when we played the Unplugged concert in New York and Richie was absolutely out of the shape.
TT: Bon Jovi can't work without Jon. The replacement of a frontman is a very delicate thing. It works for Journey, not for Bad Company..

HR: Neither for Queen..
TT: You're right but they had to change the frontman because Freddie died.
DB: The face and voice of the frontman are very important. Jon is very creative. And there is his name. There would be an end without him.
TT: We don't need to speak about end right now. Today we were informed that The Circle is no.1 in Germany. You don't have to believe, but it pleases us.

HR: I do believe.
TT: We take nothing as granted. Not even after almost 30 years. Our working ethic hasn't changed in the last decades. As many concerts as possible and when you record a new album, you have to present it to the people.
DB: One young musician asked me after a show in London, what I'd suggest for his band. I asked that he couldn’t stay and always had to go ahead. We fly to Japan, Europe, around America. If we knew that our album will be no.1 we would sit at home. But we just have to work.
TT: We work as hard as in the time of our first album in 1984. Our advantage is that we gave it all and we know that The Circle is the best possible album of Bon Jovi in 2009.

HR: Did you know that, when you started to experiment with country influence after Have A Nice Day album and started to work on Lost Highway, it would be just one-off change in direction?
TT: Lost Highway was an experiment. Let's say a project within Bon Jovi. It was a very successful project which was followed by a very successful US tour.

HR: One of your shows was filmed for dvd and blue-ray and called Live At Madison Square Garden...
TT: It all started with a song called Who Says You Can't Go Home on the Have A Nice Day album. I thought that it doesn't fit on the album. But it became very popular and that's how it started. Sometimes you are just wrong but we've spoken about it already.
DB: After that we went to Nashville (the craddle of country) and started to work on Lost Highway. Who Says You Can't Go Home became a hit in that time. Also thanks to CMT Crossroads where we played it together with Sugarland.
TT: I was still sceptical. I thought it could be a similar flop as was our experimental acoustic album This Left Feels Right. I was wrong again. By the way I like This Left Feels Right but rather in a live version which we have released on dvd This Left Feels Right Live.
DB: The difference was that we have recorded our old songs in different versions for This Left Feels Right. But we have written new material for Lost Highway and recorded it with some different influences than it's common for us. But even though those were different songs, it was a quality material. If we had worked with a different producer, it would have been a normal Bon Jovi album.
TT: The album had a different sound but the basics of the songs were typical for Bon Jovi. We have never spoken about us changing into a country band. We also haven't spoken about recording another country album. We have never done this. We have never repeated ourselves.
DB: It is funny when some people say that we have returned back to rock music with The Circle. We have never left it!

HR: For that matter, songs like Summertime, (You Want To) Make A Memory, Any Other Day or I Love This Town from album Lost Highway could appear on The Circle or Have A Nice Day.
TT: It was in the late 1970 when people started to be bored and came with categories. And from rock music we had branches like hard rock, punk, metal, hard core. From one style there were twenty.
DB: But there are only two types of music - the good one and the bad one.

HR: Song Who Says You Can't Go Home is said to exist as a duet with Keith Urban. He is an Australian country-superstar who has great success in US and is a husband of Nicole Kidman.
TT: This version exists and it is really good. We've been speaking about it recently. It could be an interesting bonus for the new compilation we’ve spoken about.

HR: Would it be a compilation of hits since the album These Days?
DB: Sure. Crossroad contains hits from albums Bon Jovi to Keep The Faith. And one of the bonuses was a song Always (laughing).

TT: When we speak about past.. I really loved the Slippery When Wet project. The album was then released in a dualdisc version. On the CD side was the album in the original version and on the dvd side were videoclips and new version of Slippery When Wet. It was a new, surround mix which was supplemented with some additions. Alternate intros, solos, extra passages. We were speaking about releasing our whole catalogue on dualdisc. But this format didn't take hold.
DB: I personally loved the project 100 000 000 Bon Jovi Fans Can't Be Wrong. It was a large compilation of unreleased, less known rare Bon Jovi songs. Something like that is much more interesting than a compilation of well known hits. Paradoxical is that we have so much of unreleased material that we could release another compilation.
TT: A song called Memphis Lives In Me made it to 100 000 000 Bon Jovi Fans Can't Be Wrong, which was sung by David. I love this song.
DB: I have to return a compliment. There is a song called Only In My Dreams which is perfectly sung by the drummer here.
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  #25  
Old 01-09-2010, 12:05 AM
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And finally:

Part 3
Quote:
HR: Let's change the topic now. Who plays with you on the shows? Bassist Hugh McDonald plays with you since These Days and minimally from this time he supports you in studio. And next?
TT: Only Bobby Bandiera is playing with us now and he will be future. It is better this way. We had too many guests on stage while promoting Lost Highway. It can be seen on a very good dvd Lost Highway: The Concert.
DB: It is not because Jon and Richie can't play guitars anymore. It gives us more opportunities. Bobby widens and enriches our sound. I had to simulate guitars on my keyboards in the past. I don't have to do it now and that pleases me.

HR: Bobby plays with you since the Have A Nice Day tour. Where did you meet him?
TT: Bobby is a fixed star on a music scene in New Jersey. We know him for a long time. He has played with many bands and interprets. He has played with Springsteen, Southside Johnny. He is a free and easy person. There are no problems with him but mainly: Bobby can play everything.
DB: And he sings well.

HR: Let's talk about the Berlin Wall. When it fell down in 1989, you were on the never-ending New Jersey tour which followed the Slippery When Wet tour. Have you noticed then that something happened in Europe, specifically in Germany?
DB: We were really tired then. The tour was exhausting. I remember many things in a total fog. Not a toxic or alcoholic one, I was just very tired. We arrived to Berlin at that time, took a piece of it and disappeared. I've read about those events in newspaper today. And now I realize what we have witnessed.
TT: If I remember it right, we arrived to Berlin on November 10, 1989. We got to the wall at night. Lightso we played with Motley Crue, Cinderella, Skid Row, Gorky Park and Scorpions in USSR at the Moscow Music Peace Festival. We could feel the freedom a bit there but it was much bigger in Berlin later.
DB: This event was more interesting for me personally. I'm Jewish. My family comes from East Europe. From Poland, Ukraine and Czechoslovakia.
TT: I'm from Cuba. In 1988 we were walking through Gorky Park and I met a KGB officer, who loved our music. She promised to help me to get my grandma from Cuba to USA. Later we were told that grandma is too old and that they just won't let her go from Cuba.
DB: Those are terrible fates. I still can't visit places in East Europe where so many member of my family died. I just cannot. In 1975 when I was 13 I started to analyze what had happened to a big part of my family. The analysis was so horrible that I'm still upset. I can visit the place where my grandparents lived but I can't visit places where so many members of my family had to die. I think that nobody is born with a hate. Unfortunately, we learn to hate. I'm glad that I'm a member of a band which was and is messenger of peace and rest, even in the times when it wasn't possible.
TT: Artists are usually messengers. It was terrible when artist in Cuba were banned. Why would you ban someone from creativity? Why to fear the people? Why to give the artists inferior jobs when they are good at what they are doing?
DB: Because you want to suppress them. But you can't suppress everything. You can’t exterminate them all. You can’t eliminate the truth!
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  #26  
Old 01-09-2010, 12:12 AM
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Quote:
Originally Posted by Johny View Post
Please give me an hour or two (or more) and I'll do my best. It's a four page interview. And it's in Czech - I've already found out that the interviewer is Czech.
You rock Johny - thanks for doing this. Good read
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  #27  
Old 01-09-2010, 12:13 AM
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That's quite an interview. When was the issue released? You're a great guy for posting that, a million thanks!
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  #28  
Old 01-09-2010, 12:30 AM
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Quote:
Originally Posted by Captain_jovi View Post
That's quite an interview. When was the issue released? You're a great guy for posting that, a million thanks!
This is a November issue, I don't know the exact date.
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Old 01-09-2010, 01:12 AM
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This is excellent Johny, thanks for translating it for us.
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Old 01-09-2010, 01:47 AM
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Awesome Johnny ! Always intressting to here what Tico & David has to say ! People easily forget Tico & David when the entire band is interviewed.
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