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  #41  
Old 06-27-2014, 10:07 PM
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Originally Posted by Iceman View Post
Dude, you're ****ing with the wrong guy here. I KNOW what I'm talking about.



Your words. Compression doesn't help you to hit the notes, no matter how much you use it. It will allow the singer to use less volume when singing, but still making the vocal track equally loud.



I do. But you don't seem to know what it means, because compressing a track doesn't make it "smooth" in any other way than visually in the software, the track LOOKS smoother, but it doesn't SOUND any smoother. It's just more even in regards to the volume and dynamics.



I'm not a sound engineer, but I've studied sound engineering, recorded a lot of things, taught sound design in schools and played in and recorded bands all my life, but I'm sure you know better.

And Jon has been "using" (meaning that his vocal tracks have been compressed) compression all his career, just like EVERY ****ING SINGER IN THE WORLD! It's the default that every vocal track is ran through a compressor, compressing it more or less. Just like every single track released on a commercial album is compressed as well. It's not a "secret", it's the standard procedure. The only ones NOT using compression are beginner bands who don't know better. Just like every track is EQ'd, every track is compressed, if by nothing else, then at the mastering stage.

And even though I never said anything about the producer, yes, it is THE PRODUCER who decides how an album shoudl soun, NOT the mixer. The mixer can suggest things, but it's the producer who calls the shots. That is, after all, why he IS the producer.



It pretty much looks like YOU are. I suggest you read up a little on studio techniques. There are a lot of free guides all around the web. Look them up. Even Wikipedia has a lot to offer you, I'm sure.

Ice

I suggest that you prove that I said anything related about pitch correction. You started to freak out in your response to me and started to twist things that I didn't say like a freaking son of a bitch. Oh, I'm glad that you're not a total dork that I expected you was and you study sound engineering. So, did they taught you of HOW TO NOT BE AN ASSHOLE and have a NORMAL conversation instead of trying to humiliate the other person? Oh, wait I guess that you skipped this class.
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  #42  
Old 06-27-2014, 10:12 PM
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Originally Posted by Supersonic View Post
Aloha !



I very much agree with that. There's so many theories thrown around here regarding how things are mixed, produced or why they're not releasing this or that. All with a "probably" remark added to it, just to make it sound like that sounds very reasonable when it's clear a lot of posters have no idea of what they're talking about and only form theories on their very limited knowledge. You can't however correct anyone on here anymore because they'll throw shit at you for doing so, and topics go off track very easily, which is why I don't post much anymore.

Edit:



Thanks for proving my point.

Instead of starting to call people names and getting your panties in a twist you might actually try to listen what Iceman is saying, because your "the level of compression is up to the guy mixing to the song" isn't true either, it's not that simple. But hey, if throwing a hissy fit and calling people names like this is your way of debating, good luck with that. It's sometimes laughable what's being posted as a very probable theory, and in case you're wondering, I'm not having a go at you, Matt.

Salaam Aleikum,
Sebastiaan

What? Did you see your friends response to me and you come and say shit about me? Dude, he twisted things that I never ever said and acted like a son of a bitch and you are here defending the guy? Come on...
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  #43  
Old 06-27-2014, 10:14 PM
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Originally Posted by Iceman View Post
It won't change the basic tone of the voice, but the tone will sound "funny" if it's changed too much. You usually can't change the pitch more than a tone - a tone and a half before it starts to sound funny. Screams are easier to move around since the harmonics are all over the place and a human can't place it as easily, but no, you couldn't really move a low sung part an octave up without it sounding funny.
Quite like these technical discussions as I know less than nothing about them so its good to hear these viewpoints.

Any decent examples to illustrate these points where its obvious pitch has been changed too much etc? (Not necessarily BJ)
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  #44  
Old 06-27-2014, 10:33 PM
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Originally Posted by Gabriel Shoes View Post
I suggest that you prove that I said anything related about pitch correction. You started to freak out in your response to me and started to twist things that I didn't say like a freaking son of a bitch. Oh, I'm glad that you're not a total dork that I expected you was and you study sound engineering. So, did they taught you of HOW TO NOT BE AN ASSHOLE and have a NORMAL conversation instead of trying to humiliate the other person? Oh, wait I guess that you skipped this class.
Again, I quote you:
Quote:
This process attenuates this kind of thing allowing Jon to sing the chorus in Thorn in my Side hitting the notes and trying to low down his Donald duck moments.
YOU talk about being able to sing in the right pitch with using compression and you're wrong.

And I didn't attack you, I just said I'm getting of tired with people guessing and making shit up, like you did. Not sure if it's a problem with your English or not, but either way, it's you that's acting like a dick here.

Ice
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  #45  
Old 06-27-2014, 10:35 PM
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Originally Posted by Bounce7800 View Post
Quite like these technical discussions as I know less than nothing about them so its good to hear these viewpoints.

Any decent examples to illustrate these points where its obvious pitch has been changed too much etc? (Not necessarily BJ)
Nothing comes to mind right now, but I can make a few Google searches... The most obvious ones would be the (intentional) vocoder effects like the ones in Cher's I Believe, but there are unintentional ones as well. Let me see if I can dig some up.

Ice
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  #46  
Old 06-27-2014, 10:45 PM
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Originally Posted by Bounce7800 View Post
Quite like these technical discussions as I know less than nothing about them so its good to hear these viewpoints.

Any decent examples to illustrate these points where its obvious pitch has been changed too much etc? (Not necessarily BJ)
Here's a nice list: http://www.hometracked.com/2008/02/0...c-10-examples/

Although some of those have to be intentional, they're so bad. Usually it's a lot easier to hear the pitch correction in the slides between the notes. They become much more "angular" or "square" whereas the natural voice would slide neatly between the notes.

There are many more examples, but with this iPad it's hard to collect the links into one post. I'll post more later.

Ice
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  #47  
Old 06-27-2014, 10:46 PM
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Coming in late here but TLFR does have overall decent sound. However I prefer the live version (done at The Borgata) to the recorded version. It has excellent sound.

Unfortunately I despise the album - ugh. And not just because "you took my songs and made them different". Bruce redoes his songs all the time. Sometimes it's a small change but sometimes he turns them on their heads. However I have seldom heard Bruce go as wrong as Jon did on TLFR. Jon took some classic songs and made them insipid. No excuse for that

And - just my 2 cents - Ice does know what he is talking about compression and autotune. I am not a sound engineer, but I am an engineer and I do a lot of mastering and editing of bootlegs. Ice has the facts correct.
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  #48  
Old 06-27-2014, 11:14 PM
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Aloha !

Quote:
Originally Posted by Bounce7800 View Post
Quite like these technical discussions as I know less than nothing about them so its good to hear these viewpoints.

Any decent examples to illustrate these points where its obvious pitch has been changed too much etc? (Not necessarily BJ)
I'd say I'm With You is a perfect example of this. Just like Have A Nice Day is. It's just that with Bon Jovi, it's gradually gotten worse so it's a bit harder to notice as you grow accustomed to what Jon's voice sounds like on record. It's only when you hear him sing a similar song live that it becomes obvious how much has been changed about it. All vocals for HAND have been heavily altered. The last chorus of Welcome To Wherever You Are is the most obvious one though, with the outro note pitched to exactly the right key. It doesn't sound natural anymore.

About a year ago there was a similar discussion about pitch correction on the Guns n Roses board, as people started questioning the vocal tracks for Chinese Democracy. Obviously a lot of work had gone into laying down the vocals, but once Axl started singing stuff live it became questionable as to whether he really sang certain vocals that high in the studio, as he never got close to nailing them the same way he did in the studio. Another reason for it might have been him recording them in 1999 and then having it released in 2008 or something, but that's another discussion. I think you get the point.

Another thing that's often going hand-in-hand (for the lack of a better term) with pitch correction is auto-tune, which has been dominating pop radio for quite a while now. Ke$ha, Katy Perry all use this a lot. Listen to Avril Lavigne's Complicated. Apart from her singing each line individually, the pitch correction is audible. "Driving in your car" goes "driihiiving in your car". It's the result of them pitching it to the right key. This one's a bit harder to hear though, but once you do start hearing these things, you start hearing it everywhere.

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Originally Posted by Gabriel Shoes View Post
What? Did you see your friends response to me and you come and say shit about me? Dude, he twisted things that I never ever said and acted like a son of a bitch and you are here defending the guy? Come on...
Yeah, I saw his reply and no, I "didn't say shit about you". What is this way of talking, you think you in some ghetto, homie?

I edited my reply because your answer to Iceman was a good example as to why it's pointless to correct people on their theories or assumptions here nowadays. Instead of replying about what he's actually saying about pitch correction all you do is call him names and start ranting about him being wrong for correcting you on something you didn't say and so on. It's replies like those that bring interesting discussions to a halt, and why I no longer feel like posting much on here anymore. If I have to answer to replies filled with insults first to get my point across, then no, thanks.

This is the first in-depth discussion on here in weeks, maybe even months, and yet the first guy to start insulting others shows up on page 4 of the topic. Is it really that hard to just talk in a more mature, grown up way? You're 31, not 18. What's so hard about saying "I'm sorry, but that wasn't what I meant?"

There's about 5 people left on this board who know how recording, mixing, editing and releasing things work, yet none of them seem to be interested in posting anymore. Now I can't speak for Iceman, but personally, I stopped calling people names years ago because I grew out of it, just like I grew tired of constantly needing to defend myself over sharing actual information, as opposed to made up theories based upon nothing but a gut feeling they seem to think makes sense. If you don't know how something works, just question it, or say "I don't know".

There used to be a time when people would join conversations because interesting questions were being asked, and it's how people learned things. It's how I learned things. Nowadays it's all about showing off how much you know, even when the things you claim to know aren't true anyway. It's quite a shame as it's put things to a halt, and it's not getting anyone anywhere.

Salaam Aleikum,
Sebastiaan
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  #49  
Old 06-27-2014, 11:16 PM
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Listen to the acapella track of Bells of Freedom to really hear the cut and paste job they did.
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  #50  
Old 06-27-2014, 11:30 PM
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Cheers for those examples, be something to listen to later.

Just remembered the worst vocals I heard was, unsurprisingly, Justin Bieber. His "duet" with Mariah Carey (whose vocals appeared to just be the same as the original 94 version) on "All I Want For Christmas" is laughably bad.
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