Quote:
Originally Posted by Captain_jovi
I do hear what you're saying but there's a lot of passive aggressive jabs that makes it sound like you're turning how you view their relationship into something more complicated. I truly believed TMOAGT came from sessions with Richie until more and more songs popped up co-written by Supa in the same era. It's just more likely the three of them did it than all of them came from sessions with Richie because Jon rips people off.
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TBH, I think you're convinced that I don't like Jon, no matter how many times I say otherwise, and because of that you read too much into my comments, looking for criticism of Jon that just isn’t there. There was no passive-aggression; I said exactly what I meant. I’ve never thought that the relationship between Jon and Richie, or my perception of it, was anything
but complicated. It's just that my perceptions about what their relationship was really like behind the scenes has been slowly changing. That’s based on comments from a lot of people, including both Jon and Richie; but it’s primarily been some of the things Jon has said and done over the last several years that opened my eyes and caused me to rethink some of my previous assumptions. Along with the changes in my own perceptions, it dawned on me that, over thirty years, the relationship itself has likely changed significantly, perhaps many times, to get from what it seemed to be in the beginning to what it seems to be now; and maybe I'm just now catching up with that. But as semigoodlooking says, it’s never been about them being equals because Jon’s always been the boss. As such, Jon makes the rules; and I’m sure that there are things he does that aren’t options for the other band members, including Richie. So, I don’t think we can assume, just because Jon brings in outside writers, that Richie could do that, too. That’s wasn’t a jab at Jon. All the band members have said, at one time or another, that it’s not a democracy, it’s a benevolent dictatorship.
I also don't think I've implied that Jon rips people off. I think there have been instances where Jon may have agreed to record a song in exchange for song-writing credits; but that isn't a rip-off. As I understand it, that's a fairly common practice in the industry; and assuming there is fair compensation, it would benefit both Jon and the "ghost writer" or "co"-writer. Jon gets to record a song he likes, receives songwriter royalties, and can continue saying that his name is on every song in his catalog. And whether he is credited or not, the writer probably gets more for his song, if Bon Jovi records it, than he would ever get if he held out for full credit and Jon refused to record it. 20% of something is better than 100% of nothing.
In this particular case, Supa got credit for the co-write, whether he sat in the room with Jon
and Richie to write the songs or not. You could be right that the three of them were together when those songs were written. But, imo, it’s no less credible that Supa and Richie
could have written the songs while they were working on US; and since they weren’t used on the album, some of them may have been among the songs that Richie brought to the sessions with Jon. Given that you were already thinking that way about TMOAGT, I don’t understand why you think it’s any
less likely, just because there were 3 songs (or 4 with OTSG) instead of just the one.
Semigoodlooking seems to remember seeing Supa in the studio with them. If he’s right, that might change my way of thinking. Barring that, I haven’t seen anything that connects Supa with Bon Jovi other than Richie. But there are probably a gabillion things in this world that I haven’t seen. It doesn’t mean they don’t exist, it just means that I’m unaware of them.