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Not Running Anymore and The Fighter are excellent too in my view. I've said it before and I'll say it again, when Jon and Richie come together to write these days, the result is often far worse than when they write for themselves. Both of them are guilty of churning out the stuff most people agree is shite. On their own, they are still capable of writing classics. Idea for next album (if Richie comes back) - lock both of them in different rooms for six months and when they re-appear, take the best 6 songs that both have managed to produce and there's a classic 12 song album. Hell, that idea will work even if they are still at each others throats. |
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A lot of the songs on Destination Anywhere feel like honest songs that came from inside Jon rather than a bunch of cliches shoehorned into a wannabe anthemic tune. At various points in my life, it's felt like Jon has written about me in them. I've never felt that listening to say Blood on The Tracks which I appreciate, and love, for a whole load of different reasons. |
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I'm a huge country music fan - and some of the stuff there is so much more genuinely heartfelt and moving. But then I'd love to know the last time a Bon Jovi record was recorded with a full band, in a room, vibing off each other. That's what I think's missing - a vibe. It's too polished. Even when it's "stripped back". |
Sorry to immediately repost, but -
Jon is a great songwriter. Can't dispute that. However, why oh why is he ripping off other artists when he should be carving his own niche? WAN had 3 song rip off issues (at least) that bother me: 1- The most ridiculous, open and shut legal case: Beautiful World = Matchbox 20's How Far We've Come 2- What About Now: Horrendous theft of a Killers guitar melody. And the title's nicked from a Daughtry song. 3- Room At The End Of The World: Now, maybe I'm missing a greater reference in pop culture or somewhere, but this is a word for word rip off of the Matt Nathanson song, from his 2011 album. These guys used to write great original songs - and while plenty of lyric ideas have always been pinched from other artists (compare some of the earlier BJ stuff to Bruce's even earlier stuff, lyrically) - and they used to invent such great titles. You Give Love A Bad Name, for example. They seem to be too occupied on staying current and being like others that they've almost forgotten what it's like to be themselves.... |
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I'd Die For You I'll Be There For You Keep The Faith These Days It's My Life etc. etc. |
Has anyone posted this Richies tweet yet ??
" Hey all, to those who saw that interview from the fashion show it was about my hopes. Nothing's really happening yet..." He is looking sillier by the day. He should really really shut up and get on with things. Instead of saying something and then going to Twitter with the if's and the but's .... Jon is winning this hands down (maturity wise) |
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Great example. If only it wasn't a Bonnie Tyler rip-off. http://www.youtube.com/watch?feature...o67DtZAY#t=57s Edit: Here's Desmond Child basically telling how he actually ripped it off with Jovi! |
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That's just ruined my whole belief system. |
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Really makes you wonder, even more, how much input Jon and Richie had into YGLABN and LOAP. |
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