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Can anyone remember the Instagram post by the guy who does the mixing saying that a song would be part of a film/documentary but he didn't know when it would be released? I guess this is that? Jon has said that there's a song on the album about PTSD...so this is bound to be that song also!
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Isn't Jon "the -powers-that-be" now? Wouldn't "UMG (on behalf of Bon Jovi Profit Split)" mean that Jon determines who is credited as the artist? As you point out, Jon has been quoted as saying that "one song on the album is about PTSD", iirc. I guess this song could be a different song about PTSD; but unless he's just in that groove, that seems a little unlikely to me. Or, idk, maybe working with them on the documentary inspired a second song in the same vein? *shrugs* Here's another thought: Am I remembering correctly that Blaze was re-recorded by the band for release on Crossroads? If so, maybe he's done the same thing with this song. Maybe he wrote and recorded it himself, specifically for the documentary, but then decided he wanted the band to record the song for the album. Just thinking out loud... There's one thing I don't get in your post, though, so I'm curious. Why would Jon need to save face; and how would saying it's JBJ vs Bon Jovi help? |
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Back on topic: Not only is the song inspired to be about PTSD but the Chorus says "Unbroken"... Both match up perfectly to Jon's Q&A session. Jon said he wrote a song called Unbroken which is about dealing with PTSD. I'm going to call this the bonus track on 20/20 for now... I can't see this being the final mix either... I compared the production to the last song the band released (Walls) to compare sound and mainly vocals, and this track is so much rougher... Unless they are going for a more natural sound so it's not as shocking when Jon performs them live. Sent from my HTC6525LVW using Tapatalk |
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Aloha !
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Salaam Aleikum, Sebastiaan |
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That was a really weird fake fact from the early 2000s (? I think?) That got debunked. That's 100 percent Jeff Beck playing guitar on the Crossroads version. To your last point....part of me wonders if Jon has decided to drop the band angle and just fully go forward with calling it as his own name. His big creative partner isn't technically a band member, his other guitarist is a hired hand, Dave and Tico don't write for the band and might not be as involved as they used to be. He could finally be ready to say "this is me, sometimes we all do it all together sometimes not". Could all just be a cockeyed theory but calling a band album song as "by Jon Bon Jovi" after three years of ramming the idea of a band down our throats isn't making as much sense to me. |
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It definitely has the guitar sound of Top Gun and the melody of Beethoven in there. Maybe that's what Jon meant with clear vision? "I know what kind of songs I'm gonna plagiarize in the future and how obvious I'm gonna make it." :mrgreen: |
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Also, at this time he is incapable of fully accepting just how bad things have become. Remember at one of those recent god awful fan club/runaway shite events he said that his voice is in great shape (and the band nodded in agreement), yet now he also has to let multiple songs be sung by other members of the band because he can't deliver them. This type of doublethink is not uncommon in people who've been through awful events in their lives and I have no doubt that Jon is still grieving the loss of his voice and his band. It's hardly any wonder why he has all of sudden taken an interest in the topic of trauma and PTSD. I think he'll look back on this time much the way he previously did about the Young Guns record: He's writing about his own struggles in an indirect way. |
2018 were Jon's last two studio vocals publicly released.
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man... that new song. SO cringeworthy.
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Personally, I think it is a conceptual song. Classical music is often used as part of therapy. Jon probably used this type of music during his therapies conducted by Lou Cox. For the workshop Jon took the subject PTSD (post-traumatic stress) so ... A song on this subject ideally fits a melody similar to a classic composition. People who hit this trailer will catch it immediately and they won't even know why. It also evokes positive emotions. This is one of the pieces targeted at a specific audience.
From our perspective, the use of such a melody can be cynical etc., but I can imagine that it will be for Jon one of the most important songs in his career because of the personal emotional charge that it carries. There is nothing to tell about the fact that many hits use themes from classical music, because it is obvious as well as the existence of 4 chord songs. |
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One of the things that shocks me about the current band status and Jon's voice is that I no longer even enjoy listening to the old music. It is a painful reminder of what once was. I hadn't expected that.
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I also can't take his ultra left winged attitude anymore... It's way over the top and ruining him as an individual... Sent from my HTC6525LVW using Tapatalk |
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To assume Jon's nicked the melody of Beethoven's symphony because it directly relates to the subject of the song is ridiculous considering Jon's done nothing but stealing from others in the past 20 years of his career. I thought the Top Gun reference was more on target, clearly showing the amount of cheese and predictability in his music nowadays. Jon's music hasn't been personal in a long, long time, no matter what bullshit he spouts off in interviews. Salaam Aleikum, Sebastiaan |
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I also can't take his ultra left winged attitude anymore... It's way over the top and ruining him as an individual...
Sent from my HTC6525LVW using Tapatalk[/QUOTE] He may be a democrat but there is no possible way jbj is far left. He's literally said in interviews that he's socially Liberal but more Conservative economically. Bernie he is not. |
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Just shows how silly things are when the last 6 or 7 pages are on about Jon stealing Unbroken from a classical composer...lord. Music is repetition, millions of songs have the same structure and there hasn’t been anything ‘original’ for decades or centuries depending on how far into things you want to go. You think Jon has been stealing from other songs...just like every other pop artist does. Nothing new there either. I do know there’s nothing much to talk about Jovi wise, but come on guys; go outside into the open air and live a little. New album won’t be long, so we’ll be able to say ‘best album since These Days’ once again, whilst others will just keep saying it’s shit. History repeats itself again and again. |
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America-wise, I look at how many wars are created under each president, how many people are slaughtered due to first world politics, how many of their own troops are murdered fighting for ‘their’ country... These figures may be impossible to find, but it does seem that Trump has killed less than Obama, for example. Totally crazy and unbelievable really... Left? Right? I love what Bernie Sanders has to say, Jeremy Corbyn in UK and Errejón in Spain. But look at their CVs, they haven’t worked in the real world or suffered the real world. Jon Bon Jovi? He’s just in it for the ride. |
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Would anyone be opposed to a second thread about the album for news and updates and one for how bad the band is? Don't want to sound passive aggressive or sarcastic, just want to be excited about this.
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For me, recent Bon Jovi music was at its best when Jon was writing about things that we know were affecting him - difficult split from Richie (Living With The Ghost), disputes with the record label (The Devil's In The Temple), being burnt out from making music and then rediscovering the connection with it (Scars on this Guitar), failure to realize his dream of being an NFL owner (A Teardrop To The Sea) and acknowledging he is old and not as good as he used to be, but accepting himself in this current state and still trying to do his best (God Bless This Mess). It's at its worst when we have those about "what's happening in the world right now" snoozefests - Walls, Knockout, Born Again Tomorrow, most of WAN album, etc. This is especially important now when Jon is such a poor singer and can no longer compensate for bland lyrics with vocal delivery. I'd only note We Don't Run as the exception to this as the melody is so catchy (and Shanks did a hell of the job with Jon's voice in the chorus) so that it overcomes the lyrics being essentially about nothing. |
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At the end of the day it's about credibility. Bruce doesn't live the poor-man's life either. But he succeeds to connect with those people through his lyrics because people believe him when he tells he cares about them. When Jon tries to write "social conscious" lyrics its awkward because no-one believes him. Despite all his social commitment he doesn't represent those people. |
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