Originally Posted by semigoodlooking (Post 1261146)

Fair enough, but there is something to be said for history, exploring trends, and probability. Most of Bon Jovi's history has been defined by average output, the trend of recent albums shows a lack of significant quality, and probability suggests this will continue (the latest song adds to that chance).

Xavi was clearly making a prediction and the probability is weighted in his favor.

Originally Posted by Captain_jovi (Post 1261155)

RE: The Today Show Interview

Jon BonJovi's Soul Kitchen at Rutgers - YouTube

Unless I missed it not a single talk of the new single or a release date. Plus a clip of Misunderstood. I for sure get this was about the restaurant and not the album but cripes, it'd be nice to promote it a little.

Originally Posted by Jack27 (Post 1261145)

Please tell us more about the album as you've obviously heard it to make this assumption?

Originally Posted by Supersonic (Post 1261165)

Aloha !



You tell me which album this review is from without using Google.

Bon Jovi's latest album shows no signs of deviating from the well-trodden path, and is arguably the weakest of their post-2000 releases. The opener and lead-single sounds strikingly lethargic and irritatingly overproduced until the bridge offers some sort of saving grace by adding a bit of guitar noise. Other tracks follow in much the same vein, unambitious and over familiar rockers, that show little in the way of innovation or new ideas. There's a mid-tempo acoustic/electric rocker, blatant rip offs of other current acts and there's ballads as well, most nauseatingly on the supposedly intimate song where Jon Bon Jovi (vocals, of course) veers uncomfortably close to self-parody, singing about cliches no one would dare to put on record. Notable highlights are difficult to come by, but the pseudo intellectual lyrics mentioning the social state of the U.S.A. have Jon channelling his inner-Springsteen as he makes a surprisingly moving state of the nation address, and finally the guitarist is allowed to shine and do himself justice. Still a fine player, he’s capable of the usual obnoxious flashiness, but also demonstrates some impressively tasteful, textural playing. For the most part though, it’s predictable, it’s comfortable, it’s by-the-numbers rock built for America FM. And it's become very irrelevant.

You tell me.

Salaam Aleikum,
Sebastiaan

Originally Posted by Supersonic (Post 1261165)

Aloha !



You tell me which album this review is from without using Google.

Bon Jovi's latest album shows no signs of deviating from the well-trodden path, and is arguably the weakest of their post-2000 releases. The opener and lead-single sounds strikingly lethargic and irritatingly overproduced until the bridge offers some sort of saving grace by adding a bit of guitar noise. Other tracks follow in much the same vein, unambitious and over familiar rockers, that show little in the way of innovation or new ideas. There's a mid-tempo acoustic/electric rocker, blatant rip offs of other current acts and there's ballads as well, most nauseatingly on the supposedly intimate song where Jon Bon Jovi (vocals, of course) veers uncomfortably close to self-parody, singing about cliches no one would dare to put on record. Notable highlights are difficult to come by, but the pseudo intellectual lyrics mentioning the social state of the U.S.A. have Jon channelling his inner-Springsteen as he makes a surprisingly moving state of the nation address, and finally the guitarist is allowed to shine and do himself justice. Still a fine player, he’s capable of the usual obnoxious flashiness, but also demonstrates some impressively tasteful, textural playing. For the most part though, it’s predictable, it’s comfortable, it’s by-the-numbers rock built for America FM. And it's become very irrelevant.

You tell me.

Salaam Aleikum,
Sebastiaan

Originally Posted by bonjovi90 (Post 1261195)

Since there's been close to nothing in terms of official announcements (have there actually been any?), I'd say it's been pushed back for whatever reason (rejected by the record company again?)