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Sigh... If only JBJ could remember his own words: "Some of the pop songs on the radio as well as the rap stuff are products of a studio environment but then us go in and record an organic rock record." |
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2014 – The Offspring – Summer Nationals (EP) 2014 – Black Veil Brides – Black Veil Brides IV 2014 – Sarah McLachlan – Shine On 2014 – Jann Arden – Everything Almost 2014 – Bryan Adams – Tracks of My Years 2015 – The Offspring – Coming for You (Single) 2016 – The Cult – Hidden City 2018 – Jann Arden – These Are the Days I don't think he's the producing type he used to be. He's not going to come back and whip an aging band back into shape, I think it's just too far gone and Jon is too comfortable. I truly think Shanks and Jon butt heads to make what they want to make. I have no reason to think there's no conflict sometimes. It's just the end product is so mediocre. |
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I don't agree with much of that to be honest. I don't get why you are putting such a big emphases on the RSO record. Bob has done everything from Pop to Metal...all listing his recent jobs does is is prove how versitile he is, probably one of the reasons he was what Richie wanted to help fix the RSO album. say whatever you like about that album, it is certainky varied in styles! I wouldn't take much notice on Wiki either. Shanks' page only lists What About Now from Bon Jovi onhis production discography, none of the others! Look at Shanks stuff and it's mainly pop artists, mainly solo artists or vocal groups. One of my main problems with Shanks is that he used a very similar sound on a lot of his records. I recognised his production style on a Melissa Etheridge album, before I knew it was him! His most recent jobs are Take That, Boyzone and Babara Steisand. Again the Steisand song has been all over BBC Radio 2 and it definitely has a Shanks sound on it too... For me, a poor producer is one that imprints his sound on everything he does, rather than bringing out the best of the artists sound, which is what I believe Bob does... I still see Shanks as a yes man and that's why Jon likes him. He's not going to disagree with Jon and rock the boat. He's got a cushy gig there! And he's not a band guy and he's not a rock guy. But regardless, we all know it's not going to change because Jon is too comfortable with him, his vocal insecurities probably have a lot to do with that. Shanks is never going to be the one to push Jon to try something different, or interesting. I still believe that the right producer could do that, but I guess we will never know.... |
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I like those songs.... :) ,anyway....i think that maybe the new album could reserve some surprises.... but we'll find out more probably the next year.... |
I think that in this time of inactivity of the band until the summer concerts, they should edit is doing Bruce Springsteen, historical concerts. Christmas would have been a perfect time to edit some of the concerts they did in the previous Christmases.
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Hi!
I hadn´t listened to "1000000 BJ Fans can´t be wrong" for ages, until this week. I remember thinking many of the songs not being that good, but now I think they have gotten better thanks to the years and albums between. I have realised once again that the past doesn´t have to be just a photo. I wish they could release a record that made their best albums seem less superb, but maybe they´re not in that wave anymore. I think they´re content with their legacy and that that prevents them from looking for more, it´s just like they have no ambition (voice troubles an others appart). I think.:) |
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Agreed with Shanks's style. The overly compressed sound, the guitar parts. Like I said in a previous post, it's easier to hear the parts he played on WAN knowing what his playing is like. One of Michelle Branch's hits came on and it was very easy to realize it was him playing. |
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