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Back on the original topic, I gave the full album another spin today and it was merely okay. But usually, when I listen to a Jovi record in full, there always is at least one moment where a song or a certain passage grabs me and I repeat it again and again. Didn't happen this time around. In fact, I had a hard time concentrating on the songs.
It's not just the flow, there's something else that this album lacks for me in particular. But I can't put my finger on it just yet. Gesendet von meinem Nexus 5X mit Tapatalk |
Because HE Can
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And here's a better question: Do you think JON knew what kind of record deal he had? Don't you think Jon would have known, in the Spring of 2011 (or even earlier), exactly when he needed to release another album in order to meet the terms of his contract? Because in 2010, this is what Jon was saying about his plans for after the GH tour finished... Quote:
And then in Spring 2011, he had THIS to say... Quote:
There is NOTHING in there to indicate that Jon was the least bit concerned about getting another album out by the beginning of 2013. The plan was "to take a load off, for a few years", NOT the few months that it turned out to be. It may have been that Jon just couldn't stay at home for more than a few weeks at a time back then (or so it seemed). Or maybe he was getting pressure from the label. But as long as he was meeting deadlines required by his contract, sucks to be them. Maybe it wasn't the Bills. But it seems awfully coincidental that Jon's Toronto group was formed and had ordered a feasibility study for buying the Bills and building a stadium in Toronto, less than a month after promotion for WAN started. It could have been any number of things, but the one thing that doesn't make sense is that it was the demands of his recording contract and pressure from the label that led to rushing WAN. |
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First of all, how do you know how much cash Jon had at any given time? I think Jon is worth way more than the 400M google search gives you... but for you to say like a fact that he didn't have the cash to cover his portion of the team is pure speculation... Second...The record company chooses what they want... They want a greatest hits, they get a greatest hits... (Jon has been able to persuade them into other types of releases like Blaze Of Glory, LH and TLFR - but they will eventually get their way)... I think he had every intention of doing a solo album and maybe even some movie soundtracks but the record company squashed it and made him do a band album... Sent from my HTC6525LVW using Tapatalk |
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First, you're right about one thing: I DON'T know what Jon's net worth is. But I'll guaran-damn-tee you that before the Toronto group went into business with him, they knew, to the penny, how much he could bring to the table - based on what he had when they signed on, plus what he could be expected to gather before the bidding started. And according to published reports, which is all any of us have to go on, when it came time to put up or shut up, Jon didn't have enough to make it feasible for them - whatever he's worth. Quote:
Second... Aren't you the same RDK that is forever reminding me that Bon Jovi is a business and Jon is a businessman? So, I'll ask the question again: Do you really believe that an astute businessman like Jon didn't know exactly what the terms of his contract were? And that he didn't know exactly what would, and what would not, satisfy those terms? Hell, Kopper, I've got more business sense than that. Even I don't sign a contract unless I know explicitly what the terms are; and I don't have a team of lawyers working for me to read the fine print. |
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2. Here is my theory... Jon has some freedom to pitch ideas to his Record Company... They allowed Lost Highway - TLFR - Etc... I think Jon wanted to pickup a soundtrack to a movie but nothing was offered... I think they give him the respect to hear him out but once he pitched the idea and they saw zero potential, they demanded a Band Album.... I truly believe he wanted to give the guys a break but the Record Company demands wouldn't accept any solo projects Jon offered... Don't forget, it's Jon's name on the contract but the record company ultimately decides the final output... |
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