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I updated the main page and broke out DA/Sex Sells/Crush
There are still a few in red that need additional clarification so please comment so I can update with comments.... |
why aren't you dead has a lot of similarities with I'll sleep when I'm dead. The choruses are almost same, no? BJ have had the tendency to write similar songs during a period, evolve them in parallel and finally chose one to be at the album. So to me it doesn't make much sense to be from 1994.
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GREAT TOPIC!
BTW: We NEED more 7800 demos/outtakes/whatever....! |
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In a different interview Jon stated they had trashed all the first recordings, not because the songs weren't there, but due to him not liking the sound of the instruments. This was what ultimately lead to the huge delay which led to Crossroad. Where you probably have a point is when it comes to the song choice for the album. I think they really pushed for more ballads being on there after Always had become such a success. |
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From 6:19 onwards: |
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I didnt know it,I always thought BW was from TDays era,not from KTF's one. It has sense cause the equality to Little Help From My Friends that was usually played those years. |
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In an interview for the 2010 Greatest Hits album they told the story again. From 5:14 onwards: |
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EDIT: and concerning the video: god, Jon still looked so young and fit compared to today, whereas Richie looked like sh*t... |
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For starters...I think Obie is very trustworthy... Not only does his list contain years but it also contains little tidbits. Ie recording locations... I also think the vocals alone dictate the difference... even though there is only a 2 Year Gap, there is a very distinct difference between the two sounds... The KTF tracks seem much more polished and complete, where as the Open All Night tracks are move vocal driven and instrumental... Jon almost comes across like he's screaming at times and that is evident in both tracks.... Sent from my HTCD160LVW using Tapatalk |
I do have one reservation and this might have been discussed in other topics but I think that most, if not all of the vocals for Miss 4th Of July were rerecorded... They don't match a 1992 JBJ at all...
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There surely were some late overdubs done to some of the Box Set tracks and I tend to believe that these vocals (or maybe the entire version) might stem from these sessions. I agree that the voice sounds like Jon in the early 2000's. Maybe the old recording was either damaged or they just had laid down a track with a guide vocal line and never fully fleshed it out, so they decided to honor this great song by giving it a proper production.
EDIT: Two other scenarios I've just been thinking of: 1. Along with Thief of Hearts, Last Man Standing etc. they might've tried to re-do the song for a possible inclusion on TLFR, but dropped the plan after the recording sessions had gone "more left". 2. During the time of endless demos for Crush they might've considered using that tune since they weren't certain of the direction they wanted to head into. They definitely had a look into their vaults back then since another KTF outtake, Starting All Over Again, got re-recorded in 2000 as well. |
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Also we can't use quality of vocal tracks to differentiate years. Some of these demos are guide tracks and some sound much more polished. |
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It just seems to me that Jon is pushing himself almost over the edge to sing those raspy vocals in that key whereas it sounded so natural on the KTF outtake. That's why I have a hard time believing that it's just a different vocal take from the same session. Furthermore, Jon's guide vocals on the rehearsals for An Evening With BJ or on Does Anybody Fall In Love Anymore (Sons of Beaches version) are much more lazy, so I can't see why he would've pushed that hard if this wasn't the final take. |
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During all those years I always found it hard to believe, that songs like The End, When She Comes, Prostitute, even Lonely At The Top and also the Box Set songs like Open All Night, Flesh and Bone or I Just Wanna Be Your Man were written for These Days. They all sound waaaaay to different than the songs that made the album. So I really think it might be true that there was the idea for "Open All Night" but that it's been completely rejected. |
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I know I've said all this before but it fits the thread.
Based on the video footage and their hair length the electric version of Bitter Wine and Prostitute were early early on in the process. It looks like early 94 to me. I really believe that batch of songs were the ones Jon talked about discarded and personal preference thinks the TD b-sides belong in that camp. Based on the video footage of the making of the box set we know the acoustic guitars for I Get A Rush were added later by Jon and Bobby and the steel pedal strings for River Runs Dry. There's footage of Jon at a microphone about to record but since they were working on HAND at the same time there's no guarantee what he was singing. There are some rhythm guitar tracks on the box set songs that are questionable and I feel like were added later. I was listening to Taking it Back at the gym today and the guitar on the right side just didn't feel like Richie's style of palm muting and almost sounded like Bobby. |
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Also... were the Bsides like Wedding Day etc all recorded in a day... Jon went into a studio, threw down the vocals, and called it a day... They were specially recorded for bsides... or something to that nature
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Nothing new but still a beginning, Kerrang, Feb. 26, 1994:
(http://users.tinyworld.co.uk/johngarbutt/page42.html) Returning to matters Jovi-al, Jon is totally fired up by the demos for album number 6. ”You don’t know exactly what to think about the first batch of demos but I’m definitely excited by ‘em!“ he beams, ”The thing is, with ‘Keep The Faith’ only one of the six singles was in the first batch. So that goes to show you where the first batch of demos usually is! I’m not sure whether we’ve got one, two or five singles in this first batch but the pint is we’ve got some great songs and everyone’s contributing. One song I think will probably make the album in the end is ‘Good Guys Don’t Always Wear White’. It’s a self-explanatory title that I knew was great and a very raucous song for us. Apart from that, it’s hard to say. There’s a song called ‘Letter To a Friend’ which is a mid-to-upper-tempo thing. It’s a real frantic one, it makes your hands shake when you’re singing it. Just the opposite to the ‘I love you’ kinda vibe! Then there’s ‘In My Dreams’ which I wrote for Tico to sing. His voice is very Tom Waits-y, but it’s a voice with great character. Hey, if Keith Richards, Ringo Starr and The Edge can do it, then I’m sure Tico can! We’re just foolin’ around with some stuff. We haven’t written anything like ‘Love For sale’ yet, no - that’s the kind of stuff that gets written with acoustic guitars around midnight!" |
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