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-   -   Box Set Revisited (https://drycounty.com/jovitalk/showthread.php?t=70042)

Rdkopper 07-03-2017 05:36 PM

I updated the main page and broke out DA/Sex Sells/Crush

There are still a few in red that need additional clarification so please comment so I can update with comments....

jazzsta 07-03-2017 09:30 PM

why aren't you dead has a lot of similarities with I'll sleep when I'm dead. The choruses are almost same, no? BJ have had the tendency to write similar songs during a period, evolve them in parallel and finally chose one to be at the album. So to me it doesn't make much sense to be from 1994.

Rdkopper 07-03-2017 10:14 PM

Quote:

Originally Posted by jazzsta (Post 1225763)
why aren't you dead has a lot of similarities with I'll sleep when I'm dead. The choruses are almost same, no? BJ have had the tendency to write similar songs during a period, evolve them in parallel and finally chose one to be at the album. So to me it doesn't make much sense to be from 1994.

Good point...

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rokuli 07-03-2017 11:37 PM

GREAT TOPIC!

BTW: We NEED more 7800 demos/outtakes/whatever....!

Nige 07-03-2017 11:50 PM

Quote:

Originally Posted by rokuli (Post 1225765)
GREAT TOPIC!

BTW: We NEED more 7800 demos/outtakes/whatever....!

Apparently there aren't any more due to the quick turnaround of the album. I'd assume there are demo and/or pre-production versions of the released tracks but nothing else.

rokuli 07-03-2017 11:51 PM

Quote:

Originally Posted by jazzsta (Post 1225763)
why aren't you dead has a lot of similarities with I'll sleep when I'm dead. The choruses are almost same, no? BJ have had the tendency to write similar songs during a period, evolve them in parallel and finally chose one to be at the album. So to me it doesn't make much sense to be from 1994.

Why aren't you Dead verse is a total Aerosmith-Dude Looks Like a Lady rip-off which I guess they realized themselves....

bonjovi90 07-04-2017 01:37 AM

Quote:

Originally Posted by Rdkopper (Post 1225761)
Here is my theory on the 1994 songs....

After / while Jon was writing for a few Movies, he starting writing for what he though was going to be the next album Open All Night... The Record Company wanted a greatest hits so they released Crossroads instead of the new album...

Crossroads was huge because of Always which probably exceeded everyone's expectations... Because of the success of Always and the time in between, they decided to change direction and write These Days.... So all the below songs were never really intended for These Days (except for Lonely At The Top) and that's why they all sound so different...

Movies:
Gotta Have a Reason 1993 - Movie The Three Musketeers
Good Guys Don't Always Wear White 1994 - Movie The Cowboy Way

1. Open All Night 1994 - Working Title before These Days
2. Letter to a Friend 1994 - Jon mentioned in an interview with Kerrang in 1994 on the set of the Good Guys video shoot.
3. Nobody's Hero 1994 - Jon mentioned in an interview with Kerrang in 1994 on the set of the Good Guys video shoot.
4. Flesh and Bone 1994
5. I Just Want To Be Your Man 1994

Are The Fire Inside and Why Aren't You Dead part of this?

Not a bad theory, but it probably was a little different. In the book "Bon Jovi - In Their Own Words" there's an interview where Jon or Richie told that Crossroad was only released because they took so long to get These Days done. The band wasn't too pleased with the decision at first, but the company executives didn't want to take the risk of an expanded time span like they had between New Jersey and Keep The Faith, so the finally agreed to the idea.
In a different interview Jon stated they had trashed all the first recordings, not because the songs weren't there, but due to him not liking the sound of the instruments. This was what ultimately lead to the huge delay which led to Crossroad.
Where you probably have a point is when it comes to the song choice for the album. I think they really pushed for more ballads being on there after Always had become such a success.

bonjovi90 07-04-2017 01:41 AM

Quote:

Originally Posted by Nige (Post 1225766)
Apparently there aren't any more due to the quick turnaround of the album. I'd assume there are demo and/or pre-production versions of the released tracks but nothing else.

Agreed. There was a song called Danger Zone which made have been left off (since I can't conclude from the title along what it could've morphed into) and another one called Afraid of the Night. Jon had mentioned both in a TV interview when they just had started with the writing for the album. The latter most likely turned into The Hardest Part Is The Night.

From 6:19 onwards:

Xavi 07-04-2017 02:13 AM

Quote:

Originally Posted by jovifan93 (Post 1225752)
Ok, found the thread containing the images:

https://drycounty.com/jovitalk/bon-j...849/page3.html

That confirms Sympathy, Radio Saved My Life Tonight, Billie, Drive, Miss 4th of July, Love Is Just Another 4 Letter Word, and Every Beat Of My Heart for KTF (at least being demoed during the KTF sessions).

But what are All Wound Up and Skin Deep? Never heard of them...

I guess "Water into wine" is the electric version of Bitter Wine
I didnt know it,I always thought BW was from TDays era,not from KTF's one.
It has sense cause the equality to Little Help From My Friends that was usually played those years.

Rdkopper 07-04-2017 03:59 AM

Quote:

Originally Posted by Nige (Post 1225766)
Apparently there aren't any more due to the quick turnaround of the album. I'd assume there are demo and/or pre-production versions of the released tracks but nothing else.

Once this thread is done... I want to make a collected thread that lists any and all titles that could possibly be unheard songs... We really just need to go back to the archives here but I want to make one consolidated post for everything.... through social media, let's get it to Obie and say "Get It Done"!!!

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Rdkopper 07-04-2017 04:00 AM

Quote:

Originally Posted by bonjovi90 (Post 1225771)
Not a bad theory, but it probably was a little different. In the book "Bon Jovi - In Their Own Words" there's an interview where Jon or Richie told that Crossroad was only released because they took so long to get These Days done. The band wasn't too pleased with the decision at first, but the company executives didn't want to take the risk of an expanded time span like they had between New Jersey and Keep The Faith, so the finally agreed to the idea.
In a different interview Jon stated they had trashed all the first recordings, not because the songs weren't there, but due to him not liking the sound of the instruments. This was what ultimately lead to the huge delay which led to Crossroad.
Where you probably have a point is when it comes to the song choice for the album. I think they really pushed for more ballads being on there after Always had become such a success.

Great info... but it's nice to know that we have a little Sex Sells thing going on here... 'Open All Night' The album before the album!!!

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Rdkopper 07-04-2017 04:03 AM

Quote:

Originally Posted by Xavi (Post 1225773)
I guess "Water into wine" is the electric version of Bitter Wine...

I wouldn't assume that... If someone saw, Why Aren't You Dead on a list, they could say that morphed into I'll Sleep When I'm Dead which obviously isn't true

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jovifan93 07-04-2017 10:37 AM

Quote:

Originally Posted by jazzsta (Post 1225763)
why aren't you dead has a lot of similarities with I'll sleep when I'm dead. The choruses are almost same, no? BJ have had the tendency to write similar songs during a period, evolve them in parallel and finally chose one to be at the album. So to me it doesn't make much sense to be from 1994.

Sorry, but I don't see the similarity between these two. Also, the sound of the band is totally different, which is why I would go with RDs 1994 theory for the time being...

bonjovi90 07-04-2017 11:45 AM

Quote:

Originally Posted by Xavi (Post 1225773)
I guess "Water into wine" is the electric version of Bitter Wine
I didnt know it,I always thought BW was from TDays era,not from KTF's one.
It has sense cause the equality to Little Help From My Friends that was usually played those years.

No, the verses of "Water Into Wine" are essentially what we have in In These Arms nowadays. Jon and David had been working on that song and I remember Jon saying that the verses were great, but they never got the chorus working. And then Richie came over with a solo title he had in his mind, called "If You Were In These Arms Tonight" and they basically fixed the chorus.
In an interview for the 2010 Greatest Hits album they told the story again.
From 5:14 onwards:


jovifan93 07-04-2017 12:34 PM

Quote:

Originally Posted by bonjovi90 (Post 1225782)
No, the verses of "Water Into Wine" are essentially what we have in In These Arms nowadays. Jon and David had been working on that song and I remember Jon saying that the verses were great, but they never got the chorus working. And then Richie came over with a solo title he had in his mind, called "If You Were In These Arms Tonight" and they basically fixed the chorus.
In an interview for the 2010 Greatest Hits album they told the story again.
From 5:14 onwards:

Bon Jovi - GH track by track interview - YouTube

Thanks, I remembered there was a story about that song, but couldn't remember what it was. Strange I could've missed In These Arms on that sheet, since it's one of the best songs of the album ;-)

EDIT: and concerning the video: god, Jon still looked so young and fit compared to today, whereas Richie looked like sh*t...

Rdkopper 07-04-2017 02:39 PM

Quote:

Originally Posted by jovifan93 (Post 1225781)
Sorry, but I don't see the similarity between these two. Also, the sound of the band is totally different, which is why I would go with RDs 1994 theory for the time being...

That's all I needed to read... I moved both of these under the Open All Night sessions... and I already had moved it within my collection too...

For starters...I think Obie is very trustworthy... Not only does his list contain years but it also contains little tidbits. Ie recording locations...

I also think the vocals alone dictate the difference... even though there is only a 2 Year Gap, there is a very distinct difference between the two sounds... The KTF tracks seem much more polished and complete, where as the Open All Night tracks are move vocal driven and instrumental... Jon almost comes across like he's screaming at times and that is evident in both tracks....

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Rdkopper 07-04-2017 02:50 PM

I do have one reservation and this might have been discussed in other topics but I think that most, if not all of the vocals for Miss 4th Of July were rerecorded... They don't match a 1992 JBJ at all...

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jovifan93 07-04-2017 02:54 PM

Quote:

Originally Posted by Rdkopper (Post 1225788)
I do have one reservation and this might have been discussed in other topics but I think that most, if not all of the vocals for Miss 4th Of July were rerecorded... They don't match a 1992 JBJ at all...

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Agreed, sounds more like post 2000 JBJ.

bonjovi90 07-04-2017 02:59 PM

There surely were some late overdubs done to some of the Box Set tracks and I tend to believe that these vocals (or maybe the entire version) might stem from these sessions. I agree that the voice sounds like Jon in the early 2000's. Maybe the old recording was either damaged or they just had laid down a track with a guide vocal line and never fully fleshed it out, so they decided to honor this great song by giving it a proper production.

EDIT: Two other scenarios I've just been thinking of:
1. Along with Thief of Hearts, Last Man Standing etc. they might've tried to re-do the song for a possible inclusion on TLFR, but dropped the plan after the recording sessions had gone "more left".

2. During the time of endless demos for Crush they might've considered using that tune since they weren't certain of the direction they wanted to head into. They definitely had a look into their vaults back then since another KTF outtake, Starting All Over Again, got re-recorded in 2000 as well.

Nige 07-04-2017 05:17 PM

Quote:

Originally Posted by bonjovi90 (Post 1225791)
2. During the time of endless demos for Crush they might've considered using that tune since they weren't certain of the direction they wanted to head into. They definitely had a look into their vaults back then since another KTF outtake, Starting All Over Again, got re-recorded in 2000 as well.

Starting All Over Again is just a different vocal take isn't it? The guide vocals I seem to recall - Obie thought they were better than the final demo ones. Wrongly IMO.

Captain_jovi 07-04-2017 05:23 PM

Quote:

Originally Posted by Nige (Post 1225794)
Starting All Over Again is just a different vocal take isn't it? The guide vocals I seem to recall - Obie thought they were better than the final demo ones. Wrongly IMO.

Yep.

Also we can't use quality of vocal tracks to differentiate years. Some of these demos are guide tracks and some sound much more polished.

Bounce7800 07-04-2017 05:24 PM

Quote:

Originally Posted by Nige (Post 1225794)
Starting All Over Again is just a different vocal take isn't it? The guide vocals I seem to recall - Obie thought they were better than the final demo ones. Wrongly IMO.

You mean you don't prefer Arting all over again? :p

Captain_jovi 07-04-2017 05:25 PM

Quote:

Originally Posted by bonjovi90 (Post 1225772)
Agreed. There was a song called Danger Zone which made have been left off (since I can't conclude from the title along what it could've morphed into) and another one called Afraid of the Night. Jon had mentioned both in a TV interview when they just had started with the writing for the album. The latter most likely turned into The Hardest Part Is The Night.

From 6:19 onwards:
Jon Bon Jovi | TV Interviews 1985 - YouTube

Afraid of the Night could have also become We Rule The Night. The box set version sounds like a really really early version (drum machine is a dead giveaway). If Jon didn't play bass on that I'd be shocked.

Nige 07-04-2017 05:28 PM

Quote:

Originally Posted by Captain_jovi (Post 1225795)
Yep.

Also we can't use quality of vocal tracks to differentiate years. Some of these demos are guide tracks and some sound much more polished.

True, but I'm talking about the quality of the singing!

Nige 07-04-2017 05:28 PM

Quote:

Originally Posted by Bounce7800 (Post 1225796)
You mean you don't prefer Arting all over again? :p

Why Jon? Why?!?!?

bonjovi90 07-04-2017 05:51 PM

Quote:

Originally Posted by Nige (Post 1225794)
Starting All Over Again is just a different vocal take isn't it? The guide vocals I seem to recall - Obie thought they were better than the final demo ones. Wrongly IMO.

I seem to recall them saying thay re-did it on the Box Set Bonus DVD. But it's been years since I watched it, so my memory is a bit clouded here.
It just seems to me that Jon is pushing himself almost over the edge to sing those raspy vocals in that key whereas it sounded so natural on the KTF outtake. That's why I have a hard time believing that it's just a different vocal take from the same session. Furthermore, Jon's guide vocals on the rehearsals for An Evening With BJ or on Does Anybody Fall In Love Anymore (Sons of Beaches version) are much more lazy, so I can't see why he would've pushed that hard if this wasn't the final take.

bonjovi90 07-04-2017 05:52 PM

Quote:

Originally Posted by Captain_jovi (Post 1225797)
Afraid of the Night could have also become We Rule The Night. The box set version sounds like a really really early version (drum machine is a dead giveaway). If Jon didn't play bass on that I'd be shocked.

That could very well be true! Maybe it was Alec - remember that we're used to Hugh on the studio records and Alec was playing on 7800° Fahrenheit :p

jovifan93 07-04-2017 05:52 PM

Quote:

Originally Posted by Nige (Post 1225794)
Starting All Over Again is just a different vocal take isn't it? The guide vocals I seem to recall - Obie thought they were better than the final demo ones. Wrongly IMO.

Yeah, never understood that as well. The KTF bonus version is perfect, that other version (as you said, I believe it's just another vocal take) is horrible by comparison...

Faceman 07-04-2017 06:38 PM

Quote:

Originally Posted by Rdkopper (Post 1225777)
Great info... but it's nice to know that we have a little Sex Sells thing going on here... 'Open All Night' The album before the album!!!

I like that idea.
During all those years I always found it hard to believe, that songs like The End, When She Comes, Prostitute, even Lonely At The Top and also the Box Set songs like Open All Night, Flesh and Bone or I Just Wanna Be Your Man were written for These Days. They all sound waaaaay to different than the songs that made the album.
So I really think it might be true that there was the idea for "Open All Night" but that it's been completely rejected.

Faceman 07-04-2017 06:40 PM

Quote:

Originally Posted by bonjovi90 (Post 1225791)
There surely were some late overdubs done to some of the Box Set tracks

There absolutely were. I remember some footage (I don't know if it was on the Box Set DVD or somewhere else) where Jon recorded some acoustic guitar parts for I Get A Rush. So they definitely worked on some of those songs prior to their release.

Captain_jovi 07-04-2017 06:56 PM

I know I've said all this before but it fits the thread.

Based on the video footage and their hair length the electric version of Bitter Wine and Prostitute were early early on in the process. It looks like early 94 to me. I really believe that batch of songs were the ones Jon talked about discarded and personal preference thinks the TD b-sides belong in that camp.

Based on the video footage of the making of the box set we know the acoustic guitars for I Get A Rush were added later by Jon and Bobby and the steel pedal strings for River Runs Dry. There's footage of Jon at a microphone about to record but since they were working on HAND at the same time there's no guarantee what he was singing. There are some rhythm guitar tracks on the box set songs that are questionable and I feel like were added later. I was listening to Taking it Back at the gym today and the guitar on the right side just didn't feel like Richie's style of palm muting and almost sounded like Bobby.

bonjovi90 07-04-2017 07:12 PM

Quote:

Originally Posted by Captain_jovi (Post 1225805)
I know I've said all this before but it fits the thread.

Based on the video footage and their hair length the electric version of Bitter Wine and Prostitute were early early on in the process. It looks like early 94 to me. I really believe that batch of songs were the ones Jon talked about discarded and personal preference thinks the TD b-sides belong in that camp.

I think you're right about this. Bitter Wine was also changed to the acoustic version for the album in the very last minute. Probably because the sound of the electric version didn't fit the album album's sound/mood anymore. In the German booklet the lyrics of the electric version got printed and I had been wondering why they weren't correct for years - until I found the leak of the electric demo. So they must've decided to rearrange the song so late that even the artwork had been finished by then.

Captain_jovi 07-04-2017 07:33 PM

Quote:

Originally Posted by bonjovi90 (Post 1225806)
I think you're right about this. Bitter Wine was also changed to the acoustic version for the album in the very last minute. Probably because the sound of the electric version didn't fit the album album's sound/mood anymore. In the German booklet the lyrics of the electric version got printed and I had been wondering why they weren't correct for years - until I found the leak of the electric demo. So they must've decided to rearrange the song so late that even the artwork had been finished by then.

Oh man, good catch!

Rdkopper 07-04-2017 08:19 PM

Also... were the Bsides like Wedding Day etc all recorded in a day... Jon went into a studio, threw down the vocals, and called it a day... They were specially recorded for bsides... or something to that nature

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Rdkopper 07-04-2017 08:21 PM

Quote:

Originally Posted by Faceman (Post 1225803)
I like that idea.
During all those years I always found it hard to believe, that songs like The End, When She Comes, Prostitute, even Lonely At The Top and also the Box Set songs like Open All Night, Flesh and Bone or I Just Wanna Be Your Man were written for These Days. They all sound waaaaay to different than the songs that made the album.
So I really think it might be true that there was the idea for "Open All Night" but that it's been completely rejected.

When you break it all down, 90% of the Box Set it the second half of KTF's double album, The first half of These Days (Open All Night), and Sex Sells...

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Captain_jovi 07-04-2017 08:26 PM

Quote:

Originally Posted by Rdkopper (Post 1225808)
Also... we're the Bsides like Wedding Day etc all recorded in a day... Jon went into a studio, threw down the vocals, and called it a day... They were specially recorded for bsides... or something to that nature

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That's a tough one to figure out. Either all of the b-sides were contenders at some point for the album or they were recorded after the album was done to pad it with bonus tracks. I'd like to believe it's the first one but there isn't really a way to find out, minus the dates on the master tapes.

Rdkopper 07-04-2017 08:36 PM

Quote:

Originally Posted by Captain_jovi (Post 1225810)
That's a tough one to figure out. Either all of the b-sides were contenders at some point for the album or they were recorded after the album was done to pad it with bonus tracks. I'd like to believe it's the first one but there isn't really a way to find out, minus the dates on the master tapes.

There is a way to find out because there is an article about it... it might be Kerang

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jovifan93 07-04-2017 08:51 PM

Quote:

Originally Posted by Captain_jovi (Post 1225805)
Based on the video footage of the making of the box set we know the acoustic guitars for I Get A Rush were added later by Jon and Bobby and the steel pedal strings for River Runs Dry. There's footage of Jon at a microphone about to record but since they were working on HAND at the same time there's no guarantee what he was singing. There are some rhythm guitar tracks on the box set songs that are questionable and I feel like were added later. I was listening to Taking it Back at the gym today and the guitar on the right side just didn't feel like Richie's style of palm muting and almost sounded like Bobby.

Jon definitely stated somewhere (don't know when or if it was printed or an interview, I'd like to think the latter) that they had to add some overdubs, simply because the songs were at different stages, much like with Burning Bridges. I'd even think that some songs were (almost) entirely re-recorded (like in cases where they only had something along the lines of the SWW basement or pre-production demos), but definitely some instrument tracks and probably even vocals (like the one we discussed earlier)...

Captain_jovi 07-04-2017 08:52 PM

Quote:

Originally Posted by Rdkopper (Post 1225811)
There is a way to find out because there is an article about it... it might be Kerang

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There was one that mentioned the album cuts in depth but didn't go too deep into the b-sides. There was another interview that was taken the day they recorded the versions of Someday I'll Be Saturday Night and Always at A&M studios, released in that era. I can't recall any interviews that name the periods the B-Sides came from.

Faceman 07-04-2017 09:10 PM

Nothing new but still a beginning, Kerrang, Feb. 26, 1994:
(http://users.tinyworld.co.uk/johngarbutt/page42.html)

Returning to matters Jovi-al, Jon is totally fired up by the demos for album number 6.
”You don’t know exactly what to think about the first batch of demos but I’m definitely excited by ‘em!“ he beams, ”The thing is, with ‘Keep The Faith’ only one of the six singles was in the first batch. So that goes to show you where the first batch of demos usually is! I’m not sure whether we’ve got one, two or five singles in this first batch but the pint is we’ve got some great songs and everyone’s contributing. One song I think will probably make the album in the end is ‘Good Guys Don’t Always Wear White’. It’s a self-explanatory title that I knew was great and a very raucous song for us. Apart from that, it’s hard to say. There’s a song called ‘Letter To a Friend’ which is a mid-to-upper-tempo thing. It’s a real frantic one, it makes your hands shake when you’re singing it. Just the opposite to the ‘I love you’ kinda vibe! Then there’s ‘In My Dreams’ which I wrote for Tico to sing. His voice is very Tom Waits-y, but it’s a voice with great character. Hey, if Keith Richards, Ringo Starr and The Edge can do it, then I’m sure Tico can! We’re just foolin’ around with some stuff. We haven’t written anything like ‘Love For sale’ yet, no - that’s the kind of stuff that gets written with acoustic guitars around midnight!"


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