Quote:
Originally Posted by bonjovi90
True, there is some interesting stuff buried in the mix. There used to be times when you didn't have to apply vocal removers to distinguish who sang what and what was being played. Actually it should be the producer's job to arrange all the parts it in a way that gives you the chance to hear these sings when listening to the final mix.
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I don't know if I agree, I don't think this is a sign of a bad producer. It's not that I couldn't hear what was being played, moreso that there's parts I didn't notice was there to thicken the sound. The album Bounce is FILLED with baritone guitars to really thicken the guitars and I never noticed that until I messed around with settings. Ditto for Kiss's Destroyer album. They'd use acoustics and piano chords in the mix to ooph it up.
But again, Shanks packs way too much in for my liking. This song, and god hoping album, is produced much better than WAN was, it sounds far less dense and painful to listen to so let's hope they changed things up. The song has far less vocal tracks than BWC did for sure.